Indie Music Review: Chalo Chalein by Abhiruchi Singh In times of turbulence, nothing provides greater reassurance than love. Abhiruchi’s crystalline voice offers a luminous dose of it, expressed in wistful lyrics. She sings of an all-too-common desire to Read More » 26 April 2020 Indie Music Review- Tanya Nambiar’s Stranger in our bed Tanya Nambiar’s voice doesn’t just croon. It floats, shimmering, and spectral. In her fiery finesse, one hears the power, promise, and seduction that empowered the likes of Lena Horne and Peggy Read More » 23 April 2020 Indie Music Reviews: April 2020 Across The River (Eashwar Subramanian) Subramanian has a way with sounds. His new album is a musical exercise in serenity. It is calmness made alive through every note, but is Read More » 18 April 2020 India Music Reviews: March 2020 Someone Else’s Arms (Rivita) Sad songs make for great debuts. US-based singer-songwriter-producer Rivita sings a charming ditty about losing love, and it is equal parts profound and endearing. There’s not Read More » 18 March 2020 Tanya Nambiar’s ‘Big City’ is a fitting ode to New Delhi New Delhi-based Tanya Nambiar is not just your average artist. Being a singer-songwriter, an anchor, a voiceover artist, and a small business owner, Nambiar calls herself a “middle-class hustler.” Years Read More » 28 September 2019 Indie Music Reviews April 2019 Main Kaun Hoon (Ketan Mohite) The most oft repeated artistic themes are the ones that sink their teeth in the deepest. How often have you heard, in song or poem, Read More » 17 April 2019 Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next » Score TV Magazines New Releases Indie Reviews Gear Talk Pro Audio Music Instruments Menu Score TV Magazines New Releases Indie Reviews Gear Talk Pro Audio Music Instruments ARE YOU IN? Sign up to our e-Magazine. Get every issue straight to your inbox for Free Subscribe now Name Email send
Indie Music Review- Tanya Nambiar’s Stranger in our bed Tanya Nambiar’s voice doesn’t just croon. It floats, shimmering, and spectral. In her fiery finesse, one hears the power, promise, and seduction that empowered the likes of Lena Horne and Peggy Read More » 23 April 2020 Indie Music Reviews: April 2020 Across The River (Eashwar Subramanian) Subramanian has a way with sounds. His new album is a musical exercise in serenity. It is calmness made alive through every note, but is Read More » 18 April 2020 India Music Reviews: March 2020 Someone Else’s Arms (Rivita) Sad songs make for great debuts. US-based singer-songwriter-producer Rivita sings a charming ditty about losing love, and it is equal parts profound and endearing. There’s not Read More » 18 March 2020 Tanya Nambiar’s ‘Big City’ is a fitting ode to New Delhi New Delhi-based Tanya Nambiar is not just your average artist. Being a singer-songwriter, an anchor, a voiceover artist, and a small business owner, Nambiar calls herself a “middle-class hustler.” Years Read More » 28 September 2019 Indie Music Reviews April 2019 Main Kaun Hoon (Ketan Mohite) The most oft repeated artistic themes are the ones that sink their teeth in the deepest. How often have you heard, in song or poem, Read More » 17 April 2019 Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next » Score TV Magazines New Releases Indie Reviews Gear Talk Pro Audio Music Instruments Menu Score TV Magazines New Releases Indie Reviews Gear Talk Pro Audio Music Instruments ARE YOU IN? Sign up to our e-Magazine. Get every issue straight to your inbox for Free Subscribe now Name Email send
Indie Music Reviews: April 2020 Across The River (Eashwar Subramanian) Subramanian has a way with sounds. His new album is a musical exercise in serenity. It is calmness made alive through every note, but is Read More » 18 April 2020 India Music Reviews: March 2020 Someone Else’s Arms (Rivita) Sad songs make for great debuts. US-based singer-songwriter-producer Rivita sings a charming ditty about losing love, and it is equal parts profound and endearing. There’s not Read More » 18 March 2020 Tanya Nambiar’s ‘Big City’ is a fitting ode to New Delhi New Delhi-based Tanya Nambiar is not just your average artist. Being a singer-songwriter, an anchor, a voiceover artist, and a small business owner, Nambiar calls herself a “middle-class hustler.” Years Read More » 28 September 2019 Indie Music Reviews April 2019 Main Kaun Hoon (Ketan Mohite) The most oft repeated artistic themes are the ones that sink their teeth in the deepest. How often have you heard, in song or poem, Read More » 17 April 2019 Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next » Score TV Magazines New Releases Indie Reviews Gear Talk Pro Audio Music Instruments Menu Score TV Magazines New Releases Indie Reviews Gear Talk Pro Audio Music Instruments ARE YOU IN? Sign up to our e-Magazine. Get every issue straight to your inbox for Free Subscribe now Name Email send
India Music Reviews: March 2020 Someone Else’s Arms (Rivita) Sad songs make for great debuts. US-based singer-songwriter-producer Rivita sings a charming ditty about losing love, and it is equal parts profound and endearing. There’s not Read More » 18 March 2020 Tanya Nambiar’s ‘Big City’ is a fitting ode to New Delhi New Delhi-based Tanya Nambiar is not just your average artist. Being a singer-songwriter, an anchor, a voiceover artist, and a small business owner, Nambiar calls herself a “middle-class hustler.” Years Read More » 28 September 2019 Indie Music Reviews April 2019 Main Kaun Hoon (Ketan Mohite) The most oft repeated artistic themes are the ones that sink their teeth in the deepest. How often have you heard, in song or poem, Read More » 17 April 2019 Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Tanya Nambiar’s ‘Big City’ is a fitting ode to New Delhi New Delhi-based Tanya Nambiar is not just your average artist. Being a singer-songwriter, an anchor, a voiceover artist, and a small business owner, Nambiar calls herself a “middle-class hustler.” Years Read More » 28 September 2019 Indie Music Reviews April 2019 Main Kaun Hoon (Ketan Mohite) The most oft repeated artistic themes are the ones that sink their teeth in the deepest. How often have you heard, in song or poem, Read More » 17 April 2019 Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Indie Music Reviews April 2019 Main Kaun Hoon (Ketan Mohite) The most oft repeated artistic themes are the ones that sink their teeth in the deepest. How often have you heard, in song or poem, Read More » 17 April 2019 Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Indie Music Reviews: January 2019 Antahkarana (Nkshtra): A shorn, elegantly crinkled bassline can carry a track on it’s own weight, and Divyesh Gholap AKA Nkshtra is distinctly aware of this. Antahkarana provides the perfect soundtrack Read More » 15 January 2019 Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Indie Music Reviews: October 2018 Takiye Pe Sar (Amanda Sodhi with Drishyam Play) There is something irreplaceable about universal experiences. No matter how often you talk about love, loss and personal redemption, it remains Read More » 23 October 2018 Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Home-grown goodness: Indie music reviews Zaraasa (Pavan Gaikwad): Debuts are a good thing. It means someone else decided that they were going to deafen their inner monologue of self-doubt, and do something that they love. Read More » 3 October 2018 Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Album review: Trap Into The Underground Of Indian Hip-Hop With Showtime The annals of Indian hip-hop movement aren’t very long-winded yet, but in an extremely short period the scene, that began with a few hits from the streets of Dharavi, spread Read More » 3 October 2018 Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Indie music review: Dastaan by The Engineers As far as debuts go, this band out of Noida is fine. The problem is that when using the word fine in this regard, you are reminded more of the Read More » 28 September 2018 Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
Home-grown goodness: Mora Saiyaan by Qafilaa “Prog” is a difficult genre to define, mainly because you put King Crimson, Brian Eno, Steven Wilson and Opeth altogether in it. It took me years, but I eventually translated Read More » 17 September 2018 « Previous Page1 … Page23 Page24 Page25 Page26 Next »
